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And London went back to dressing up as a movie. On the night of this past Sunday, March 13, the 75th BAFTA Awards ceremony took place. The emblematic Royal Albert Hall concert hall was, for the sixth consecutive year, the setting for the most important awards of the British Film Academy. At a protest gala with Rebel Wilson acting as mistress of ceremonies, ‘The Power of the Dog’, Jane Campion’s twilight western, met expectations and won the awards for best film and best direction. Nevertheless, ‘Dune’, Denis Villeneuve’s science fiction epic, was the big winner of the night with a total of five prizes.
The BAFTAs have once again acted as a prelude to the Oscars, with a red carpet full of stars. After a 2021 in which the British Academy opted for a telematic gala due to the coronavirus pandemic, 2022 has been the return with a ceremony in which there have been no restrictions or attendees in the room with masks. A night in which protest and identity messages have not been lacking and in which Rebel Wilson has shone, wasting humor, with accurate comic moments about the royal family and the British government.
There has also been no lack of solidarity with the people of Ukraine, with several moments of tribute. The president of the BAFTAs, Krishnendu Majumdar, paid tribute to Ukraine at the beginning of the gala, also remembering the journalists who are covering the invasion in the European country, several of them also members of the Academy. To the words of solidarity was added Andy Serkis. The director and actor, who handed out the award for best direction, asked Priti Patel, British Home Secretary, for greater speed in welcoming the refugees.
‘CODA’ stalks the favorite ‘The power of the dog’
Regarding cinema. ‘The power of the dog’ has consolidated its status as a favorite, although just barely. He has only won two awards out of the eight he was eligible for. Yes, they are both in key categories, but his victory has been overshadowed by that of ‘CODA: The sounds of silence’which has given the surprise by achieving the BAFTA for best adapted screenplay and best supporting actor for Troy Kotsur, who consolidates his sorpasso to Kodi Smit-McPhee. The remake of ‘The Bélier family’ already threatens to be a solid alternative to Campion’s epic western.
Nevertheless, the big winner of the night was ‘Dune’. The epic feat of Canadian Denis Villeneuve won five awards– Best Cinematography, Best Original Music, Best Production Design, Best Sound, and Best Visual Effects. Of course, none of the awards could be seen in the broadcast of the gala, which was deferred and edited for television.
The defeat of ‘Belfast’ and the consolidation of Will Smith, Troy Kotsur and Ariana DeBose
Regarding the rest of the winners. Will Smith was consolidated as the favorite for the Oscar, by winning the BAFTA for best actor for ‘The Williams method’, defeating Benedict Cumberbatch. Another that is consolidated in the race for the statuette is Ariana DeBose. The interpreter won the BAFTA for best supporting actress for ‘West Side Story’. In the category of best actress, the only one in which none of the Oscar nominees is eligible for the award, Joanna Scanlan gave the surprise for ‘After love’. ‘Encanto’, ‘Drive My Car’ and ‘Summer of Soul’ revalidate their favorite titlesby obtaining the awards for best animated film, best foreign language film and best documentary film, respectively.
The big loser has been ‘Belfast’. Kenneth Branagh’s Intimate Proposal only won Best British Film. His options for the Oscars have diminished against ‘The power of the dog’ and ‘CODA: The sounds of silence’. Just one upset at the Producers Guild of America Awards. (with a preferential voting system similar to that of the Oscars) I could make it a favorite again.
A ceremony that has also paid tribute to one of its most emblematic sagas, ‘James Bond’. The iconic Shirley Bassey, the only singer to have sung three songs for three films in the saga (‘James Bond vs. Goldfinger’, ‘Diamonds Are Forever’ and ‘Moonraker’), took the stage to delight the audience with ‘Diamonds Are Forever’ ‘, obtaining the whole ovation of the assistants.
The list of winners:
BEST FILM:
– ‘Belfast’, by Kenneth Branagh
– ‘Dune’, by Denis Villeneuve
– ‘The Power of the Dog’, by Jane Campion
– ‘Licorice Pizza’, by Paul Thomas Anderson
– ‘Don’t Look Up’ by Adam McKay
BEST ADDRESS:
– Paul Thomas Anderson, for ‘Licorice Pizza’
– Jane Campion, for ‘The Power of the Dog’
– Audrey Diwan, for ‘The Event’
– Julia Ducournau, for ‘Titane’
– Ryusuke Hamaguchi, for ‘Drive My Car’
– Aleem Khan, for ‘After Love’
BEST ACTOR:
– Adeel Akhtar, for ‘Ali and Ava’
– Mahershala Ali, for ‘Swan Song’
– Benedict Cumberbatch, for ‘The Power of the Dog’
– Leonardo DiCaprio, for ‘Don’t Look Up’
– Stephen Graham, for ‘Boils’
– Will Smith, for ‘The Williams Method’
BEST ACTRESS:
– Lady Gaga, for ‘The House of Gucci’
– Alana Haim, for ‘Licorice Pizza’
– Emilia Jones, for ‘CODA: The Sounds of Silence’
– Renate Reinsve, for ‘The Worst Person in the World’
– Joanna Scanlan, for ‘After Love’
– Tessa Thompson, for ‘Chiaroscuro’
BEST SUPPORTING ACTOR:
– Mike Faist – ‘West Side Story’
– Ciarán Hinds – ‘Belfast’
– Troy Kotsur – ‘CODA: The Sounds of Silence’
– Woody Norman, for ‘C’mon C’mon. Always ahead’
– Jesse Plemons, for ‘The Power of the Dog’
– Kodi Smit-McPhee, for ‘The Power of the Dog’
BEST SUPPORTING ACTRESS:
– Caitríona Balfe, for ‘Belfast’
– Jessie Buckley, for ‘The Dark Daughter’
-Ariana DeBose, for ‘West Side Story’
– Ann Dowd, for ‘Mass’
– Aunjanue Ellis, for ‘The Williams Method’
– Ruth Negga, for ‘Chiaroscuro’
BEST ORIGINAL SCREENPLAY
– ‘Belfast’, by Kenneth Branagh
– ‘The Williams Method’, by Zach Baylin
– ‘Licorice Pizza’, by Paul Thomas Anderson
– ‘Don’t Look Up’ by Adam McKay
– ‘Being the Ricardos’, by Aaron Sorkin
BEST ADAPTED SCREEN:
– ‘CODA: The sounds of silence’, by Siân Heder
– ‘Drive My Car’, by Ryusuke Hamaguchi and Takamasa Oe
– ‘Dune’, by Eric Roth, Jon Spaihts and Denis Villeneuve
– ‘The Power of the Dog’, by Jane Campion
– ‘The Dark Daughter’, by Maggie Gyllenhaal
BEST ANIMATED FILM:
– ‘Charm’, by Jared Bush and Byron Howard
– ‘Flee’, by Jonas Poher Rasmussen
– ‘The Mitchells vs. the Machines’, by Michael Rianda
– ‘Luca’, by Enrico Casarosa
BEST DOCUMENTARY FILM:
– ‘Cousteau: Past and Future’, by Liz Garbus
– ‘Flee’, by Jonas Poher Rasmussen
– ‘Rescue in the deep’, by Elizabeth Chai Vasarhelyi and Jimmy Chin
– ‘Summer of Soul’, by Ahmir ‘Questlove’ Thompson
– ‘Cow’, by Andrea Arnold
BEST NON-ENGLISH SPEAKING FILM:
– ‘Drive My Car’, by Ryûsuke Hamaguchi (Japan)
– ‘It was the hand of God’, by Paolo Sorrentino (Italy)
– ‘The worst person in the world’, by Joachim Trier (Norway)
– ‘Parallel Mothers’, by Pedro Almodóvar (Spain)
– ‘Petite maman’, by Céline Sciamma (France)
BEST BRITISH FILM:
– ‘Ali and Ava’, by Clio Barnard
– ‘Belfast’, by Kenneth Branagh
– ‘Chiaroscuro’, by Rebecca Hall
– ‘Cyrano’ by Joe Wright
– ‘After Love’, by Aleem Khan
– ‘Boils’, by Philip Barantini
– ‘The Gucci House’, by Ridley Scott
– ‘No Time to Die’, by Cary J. Fukunaga
– ‘Everybody’s talking about Jamie’, by Jonathan Butterell
– ‘Last Night in Soho’, by Edgar Wright
BEST BRITISH DEBUT IN DIRECTING, SCREENING OR PRODUCING:
– James Cummings (screenplay) and Hester Ruoff (production), for ‘It Boils’
– Posy Dixon (directing and writing) and Liv Proctor (producing), for ‘Keyboard Fantasies’
– Rebecca Hall (direction and script), for ‘Chiaroscuro’
– Aleem Khan (direction and script), for ‘After love’
– Jeymes Samuel (direction and script), for ‘The harder the fall’
BEST CASTING DIRECTION:
– ‘Dune’ – Francine Maisler
– ‘The Williams Method’ – Rich Delia and Avy Kaufman
– ‘It was the hand of God’ – Massimo Appolloni and Annamaria Sambucco
– ‘It Boils’ – Carolyn McLeod
– ‘West Side Story’ – Cindy Tolan
BEST PHOTOGRAPHY:
– ‘Dune’ – Greig Fraser
– ‘The Alley of Lost Souls’ – Dan Laustsen
– ‘The power of the dog’ – Ari Wegner
– ‘The Tragedy of Macbeth’ – Bruno Delbonnel
– ‘No time to die’ – Linus Sandgren
BEST COSTUME DESIGN:
– ‘Cruella’ – Jenny Beavan
– ‘Cyrano’ – Massimo Cantini Parrini
– ‘Dune’ – Robert Morgan and Jacqueline West
– ‘The Alley of Lost Souls’ – Luis Sequeira
– ‘The French Chronicle’ – Milena Canonero
BEST PRODUCTION DESIGN:
– ‘Cyrano’ – Sarah Greenwood and Katie Spencer
– ‘Dune’ – Patrice Vermette and Zsuzsanna Sipos
– ‘The Alley of Lost Souls’ – Tamara Deverell and Shane Vieau
– ‘The French Chronicle’ – Adam Stockhausen and Rena DeAngelo
– ‘West Side Story’ – Adam Stockhausen and Rena DeAngelo
BEST FITTING:
– ‘Belfast’ – Úna Ní Dhonghaíle
– ‘Dune’ – Joe Walker
– ‘Licorice Pizza’ – Andy Jurgensen
– ‘No Time To Die’ – Tom Cross and Elliot Graham
– ‘Summer of Soul’ – Joshua L. Pearson
BETTER VISUAL EFFECTS:
– ‘Ghostbusters: Beyond’ – Aharon Bourland, Sheena Duggal, Pier Lefebvre and Alessandro Ongaro
– ‘Dune’ – Brian Connor, Paul Lambert, Tristan Myles and Gerd Nefzer
– ‘Free Guy’ – Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
– ‘Matrix Resurrections’ – Tom Debenham, Huw J. Evans, Dan Glass and JD Schwalm
– ‘No Time To Die’ – Mark Bakowski, Chris Corbould, Joel Green and Charlie Noble
BEST MAKEUP AND HAIRDRESSER:
– ‘Cruella’ – Naomi Donne and Nadia Stacey
– ‘Cyrano’ – Alessandro Bertolazzi and Siân Miller
– ‘Dune’ – Love Larson and Donald Mowat
– ‘The House of Gucci’ – Frederic Aspiras, Jana Carboni, Giuliano Mariano and Sarah Nicole Tanno
– ‘The Eyes of Tammy Faye’ – Linda Dowds, Stephanie Ingram and Justin Raleigh
BEST SOUND:
– ‘Dune’ – Ron Bartlett, Theo Green, Doug Hemphill, Mark Mangini and Mac Ruth
– ‘No Time to Die’ – James Harrison, Simon Hayes, Paul Massey, Oliver Tarney and Mark Taylor
– ‘Last Night in Soho’ – Tim Cavagin, Dan Morgan, Colin Nicolson and Julian Slater
– ‘A Quiet Place 2’ – Erik Aadahl, Michael Barosky, Brandon Proctor and Ethan Van der Ryn
– ‘West Side Story’ – Brian Chumney, Tod A. Maitland, Andy Nelson and Gary Rydstrom
BEST MUSIC:
– ‘Dune’ – Hans Zimmer
– ‘The power of the dog’ – Jonny Greenwood
– ‘The French Chronicle’ – Alexandre Desplat
– ‘Don’t Look Up’ – Nicholas Britell
– ‘Being the Ricardos’ – Daniel Pemberton
BEST FICTION SHORT FILM:
– Femme – Sam H. Freeman, Ng Choon Ping, Sam Ritzenberg and Hayley Williams
– Stuffed – Joss Holden-Rea and Theo Rhys
– The Black Cop – Cherish Oleka
– The Palace – Jo Prichard
– Three Meetings of the Extraordinary Committee – Max Barron, Daniel Wheldon and Michael Woodward
BEST ANIMATED SHORT FILM:
– Art Matters – Les Mills and Joanna Quinn
– Do Not Feed the Pigeons – Vladimir Krasilnikov, Jordi Morera and Antonin Niclass
– Night of the Living Dread – Danielle Goff, Hannah Kelso, Ida Melum and Laura Jayne Tunbridge
REVELATION AWARD:
– Ariana DeBose
-Harris Dickinson
– Lashana Lynch
-Millicent Simmonds
– Kodi Smit-McPhee
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